Anssi Matias - Hypercubist Philosophy and Art

HYPERCUBISM, PART II

You can download Hypercubism, part II -pdf straight from link below:

Hypercubism_part_II_Anssi_Matias_Miettinen Lataa

You can also read Hypercubism, part II from this website from here! (Suomeksi täältä, myös pdf- löytyy suomeksi kyseisestä linkistä!)

Hypercubism, part II -also available at Academia.edu from here!

https://www.academia.edu/164672112/HYPERCUBISM_PART_II_Axioms_Reality_Dimension_diagrams_Self_examination_diagrams_Metatronics_diagrams_Thought_structure_diagrams_Hypercubism_and_ancient_philosophy?source=swp_share

HYPERCUBISM, PART I

Hypercubism is the artistic and philosophical outcome of the modes of thought developed by Anssi Matias Miettinen between 2017 and 2024. It views reality through three interrelated dimensions: Information and interaction (3D), mind and tought (4D), and consciousness (5D). The framework integrates extensive written work, introspective philosophy, and multidimensional visual expression. Miettinen’s paintings, texts, and theoretical models form a coherent whole in which external and internal realities intersect.

More info from page: Philosophy of Hypercubism

Download manifesto and philosophy as pdf- document from here:

Hypercubism_part_I_Anssi_Matias_Miettinen Lataa

Hypercubism, part I -also available at Academia.edu from here!

https://www.academia.edu/164671738/HYPERCUBISM_PART_I_Manifesto_and_Philosophy_of_Hypercubism?source=swp_share

Upcoming exhibition: Revelation of Hypercubism

4.6. -30.6.2026, Gallery G12, Helsinki, Finland

Revelation of Hypercubism presents, for the first time, a unified body of work in which Hypercubism is introduced both as a theoretical framework and as an artistic method. The
exhibition reveals the core of Hypercubism: the interaction between the three-dimensional structure of reality, the fourth dimension of thought, and the fifth dimension of
consciousness.

The exhibition features a series of hypercubist studies in which painting expands into relief-like structures, and collage elements function as concrete fragments of reality rather
than symbols of it. The works expose a process in which the layers of perception are dismantled and reconstructed.

The Hypercubism Manifesto is released alongside the exhibition, gathering together the theoretical foundations and visual research behind the works. It serves both as an
introduction to hypercubism and as a contextual framework for the pieces displayed.

Revelation of Hypercubism marks the public emergence of a new artistic and philosophical system — one in which theory and painting combine to offer a new way of understanding
and structuring reality.

Link to the exhibition info below:

Revelation of Hypercubism

Hypercubism studies

Guitar is one of the first hypercubist paintings after manifesto was published. Check this Guitar– studie and other Hypercubist painted studies from here.

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You can find all available artworks for sale from here!

Who i am?

I am Anssi Matias Miettinen.

I was passionate about drawing and painting with watercolors as a child, and I did it during elementary school lessons and a few other times in my childhood and adolescence. The year of the last drawing I found is 2006.

2014 marked the beginning of an intense era of change and introspection. During this time, I broke into myself and went through my very hectic life with different methods of self-development as well as intensive self-examination. In the early summer of 2017, I grabbed the brush again, started painting.

My works emerge from the imagination, from a deep thought. There is a strong presence in my works of living life, striving to understand life, and the depth of reality and the unpredictable wave of being and living. I have gone deep and let it show.

My analytical mind is constantly debating in the multidimensional reality created by perspective, dimensions, and experience that I seek to embody through the brush on canvas.

I don’t want to explain too much what I see or experience, I bring it all out in my paintings and writings. I want everyone to interpret what they see in their own way, as I would like everyone to do in their personal lives.

I am and I paint. That’s enough.