While researching and reading about ancient Greek philosophers and their ideas, I noticed that Plato had visited Sicily several times, especially the city of Syracuse. Although I am not in the same city, on the same island, two and a half thousand years later, I am writing my text, in which his ideas play their own role.
Chiusa Sclafani is a small village in the interior of Sicily, on the west side, surrounded by mountainous landscapes. It is so high above sea level that the highest roofs in the village sometimes touch the lower edge of the clouds. It is like traveling back in time to the Middle Ages, when, according to history, the village was founded. Here, the hustle and bustle of life does not weigh heavily.
Hypercubism’s previously published Hypercubism, Part I contains a manifesto, a philosophy, and an artist’s text. This article, Hypercubism, Part II, clarifies the philosophical claims of Hypercubism and makes them geometrically visible. In addition, the text presents the axioms and principles that crystallize the ontological basis of Hypercubism. This series will be completed with Hypercubism, Part III, which will be published in mid-May. This article will discuss Hypercubism as a whole art theory, comparing it to major artistic turning points, some of the most influential art movements, and its own ”father,” Cubism. The article also presents, for the first time, post-manifesto Hypercubist works.
This article presents Axioms and principles, The external world of reality, which is the third dimension of information and interaction (3D) in Hypercubism, the internal world, which is the fourth dimension of mind and thought (4D) in Hypercubism, and the depth dimension, which is considered consciousness (5D) in Hypercubism. Geometrically, 3D is a cube, 4D is a tesseract, and 5D is a penteract. In addition, the article presents geometric diagrams of dimensions, self-examination, metatronics, and thought structures. Finally, the connection between Hypercubism and ancient philosophy is discussed.
The article contains references to the history of philosophy, psychology, physics, mathematics, and self-examination. The text also includes direct quotations from earlier writings.
The purpose of the article is to make the system of hypercubism visually apparent.