Hypercubism as a concept emerged for me in 2022. As mentioned earlier, I have had a passionate, even compulsive need to take traditional Cubism further than its contemporaries. Although I had already studied Cubism both in writing and in the form of paintings, I had not managed to express the fourth dimension in my works at that time, because the work would have needed one more dimension.
In 2024, during my final year of studying at Kankaanpää Art School (SAMK), my final projectInside the cube(2024) addressed the interaction of the third, fourth and fifth dimensions for the first time. Although the series of worksSilenced acceptance already included a three-dimensional experiment on the acoustic board, I still consider the final paintingRevelationas the first hypercubist study. In it, the layered theme of the third, fourth and fifth dimensions is present with photo collages for the first time. The work is very expressive, but the structural idea corresponds to the principles of Hypercubism. Revelation anticipates future works and acts as a strong guide for the future.
The principles and philosophy of Hypercubism are written in Part I. This chapter reviews the diagrams and process of a Hypercubist work. The chapter also includes an analysis of Hypercubist works.